MATRIXSYNTH: Search results for Sound Particles


Showing posts sorted by date for query Sound Particles. Sort by relevance Show all posts
Showing posts sorted by date for query Sound Particles. Sort by relevance Show all posts

Friday, April 19, 2024

Tela – Modal Synthesizer


video upload by Fors

Tela – Walkthrough

video upload by Fors



https://fors.fm/tela

"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.

In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.

Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.

Saturday, April 15, 2023

NAMM 2023 - Sound Particles - Skydust 3D


video upload by sonicstate

"Sound Particles, a company that specializes in 3D sound and immersive audio, showcased its latest product at NAMM 2023. Nuno from Sound Particles introduced the 3D synthesizer Skydust 3D, which allows musicians to play notes and instantly hear them in a three-dimensional space. The synthesizer supports more than 30 output formats, including 7.1.4, and has eight oscillators, each with a position in space. Musicians can use envelope generators, LFOs, and sequencers to create 3D arpeggios and other spatial effects.

The synthesizer comes in two versions: a stereo version and the more advanced version called SkyDust 3D and can be purchased from SoundParticles' website or other plugin stores. The aim of the 3D synthesizer is to provide musicians with a tool that allows them to think about space and use it in the same way as they use melody, rhythm, and harmony.

Skydust Price: 149 USD
Skydust 3D Price: 299 USD

More info:
Sound Particles website: https://www.soundparticles.com/

Try Sound Particles for free: https://www.soundparticles.com/produc..."

Introducing SkyDust 3D - Spatial Synthesizer

video upload by Sound Particles

SkyDust 3D Overview

video upload by Sound Particles

"Here's the overview of our groundbreaking product SkyDust 3D - the first 3D Synth in the World. It's fantastic for stereo and exceptional in 3D, making it the ideal choice for music producers, composers, keyboardists, DJs, and all professionals working with music.

Try SkyDust 3D for free: https://www.soundparticles.com/produc..."



"SkyDust 3D is the first spatial synthesizer plugin in the world, which allows you to play a note and get instant 3D sound in any immersive format. It’s fantastic for stereo and exceptional in 3D."



"Sound Particles 2

Sound Particles is an immersive audio software capable of generating thousands (even millions) of sounds in a virtual 3D audio world. Creating highly complex sounds has never been this quick."

Monday, December 19, 2022

Opal - rhythm machine & drum synthesizer


video upload by Fors

"Opal is an instrument made for intricate pattern creation. With parameter locks, probability, conditionals, ratcheting, independent track length, time division and traversal, it’s a breeze to program exciting patterns.
Opal comes with four distinct, highly malleable, synthesizers and two sequenceable effects. While the synths are tailored for creating drum sounds, it’s up to you to choose where, or if, the line between percussion and melody is drawn.

As always, every single sound and effect in this video is made with Opal."



via Opal

To sum it up

Step-sequencer with:

Parameter locks
Probability
Step logic
Ratcheting
Per-track length
Per-track direction
Per-track time division
Five tracks with:

Gem FM Synthesizer
Mass Modal Synthesizer
Dust Pulsar Noise Synthesizer
Slate Granular Sample Player
Void Reverb & Flux Sampler

+ Modulation

Gem
Gem is an FM synthesizer capable of a wide variety of sounds, from deep and heavy bassdrums to glistening lead melodies. At its core, Gem consists of 2- Operator sinewave-based phase modulation (commonly referred to as FM) that has been fine-tuned to sound rich and punchy.

With bipolar modulation and feedback, it's possible make a vast range of different waveshapes- including common analog shapes such as square, triangle or sawtooth. It's a highly malleable form of synthesis that has been boiled down to its essentials, with an emphasis on the sheer quality of execution.

Mass
Mass is a modal synthesizer, which is a type of physical modeling synthesis that employs a bank of bandpass filter to generate its sound. Typically, physical modeling is used to mimic real-world sounds, but with Mass the essence of the synthesis method is used to make all sorts of wildly synthetic sounds, often with an otherworldly quality due to its physically-inspired origins.

The sounds possible with Mass ranges from semi-realistic percussion, bells, textures, noises, strange phase-y melodic sounds to clean and precise timbres reminiscent of additive synthesis.

Dust
Dust is a noise generator that is based around the concept of Pulsar synthesis, which is a method adjacent to Granular synthesis. The sound is composed of very short particles of sounds that creates a texture when played fast and/or dense.

Dust combines concepts from all kinds of different types of synthesis methods to create anything from pure white noise to perfectly soft spectral washes. By layering multiple oscillators Dust can also generate classic electronic metal sounds which is very useful for making hi-hats and cymbals.

Slate
Slate is a sample playback engine equipped with a granular mode that can wildly transform any sample. At its core is a high quality sample playback engine with edge smoothing (click-less playback and looping), single cycle waveform support and a flexible loop mode.

The granular mode let’s you go deeper in sound design by playing back small particles in a pattern that essentially reconstructs the original sound, but with the possibility to dramatically change the speed and pitch independently

Void & Flux
The FX (effects) track hosts two different effect engines: Void and Flux.

Void is a reverb that has been fine-tuned to sound great with a wide variety of input sounds, with an emphasis on delivering good transient response. With in-depth EQ:ing of the input and reverb signal, it’s possible to greatly shape the overall tone of the effect.

Flux is an automatic sampler that continuously records the output of all the other tracks and divides it into 16 slices that can be played back by the FX track. Think of it like an always-recording tape loop that you can use to repeat or transform sections of your pattern by playing different snippets as single shot samples.

Modulation
Each engine has a dedicated modulation page with four different modulation sources that can be routed to any parameter via a modulation matrix. The different sources are Vel - velocity received from the sequencer steps (or a MIDI note), A dedicated LFO and Envelope per track, and a random value (Rand) that is received on each trigger of a step or MIDI note.

Tuesday, October 18, 2022

Introducing The BigSky Plugin From Strymon


video upload by strymon

"Introducing the new BigSky multidimensional reverb plugin, a direct port of our iconic hardware reverb that has a reserved space on the pedalboards of some the top guitarists on the planet. With 12 hand-tuned algorithms, world-class sound quality, a dynamically simple interface and those amazing tails, you can now run as many BigSky's in your session as you'd like. Join Strymon's Sean Halley as he outlines why It's the New Way To Sky."

Learn more at https://www.strymon.net/product/bigsk..."



12 Unique Reverb Machines
Feel the mechanical tension of the Spring reverbs. Hear the floating particles of the Cloud machine. Create deep, majestic harmonies with Shimmer. BigSky gives you twelve stellar, musically inspirational reverb machines.

Tuesday, October 11, 2022

New Loops Autumn Sale – Up To 70% Off Sound Packs



via New Loops

The New Loops autumn sale is on now. Get up to 70% off all sound packs audio kits, and synth presets. There’s an extra 30% off all orders over £39. Offers exclusively at newloops.com.

Some deals include:
Techno Grooves - Loops and Samples - 70% off - £8.99 Synthmaster One - Bass Expansion - 65% off - £5.24
Ableton Wavetable Presets - 60% off - £11.99
Omnisphere Explorer - Omnisphere 2 Presets - 60% off - £13.99 Techno Master Tool Box (Techno Sample Pack) - 60% off - £15.99 Pop Kits (Construction Kits) - 60% off - £9.99
Particles Serum - Presets Expansion - 50% off - £12.49 Mosaic Thorn Expansion (Thorn Presets) - 50% off - £12.49
Alive - UVI Falcon Expansion - 50% off - £17.49
Quarantine - Massive X Presets - 50% off - £7.49
Spectrum - Dune 3 Presets - 50% off - £9.99
TAL U-NO-LX Presets Bank - 50% off - £7.49 Vital Ascendant (Vital Content Pack) - 50% - £12.49 Bundles up to 70% off

All products come with free demo sounds to download -
https://newloops.com/collections/all

Thursday, September 15, 2022

New Loops releases Particles - Serum Presets Expansion with 30% off intro offer


video upload by New Loops

Serum Particles Bass and Sequence Demo Video


Serum Particles Textures Demo Video

video upload by

"New Loops presents Particles – an exciting new content pack for Xfer Serum with lots of new presets, wavetables, LFO shapes, noise sound sources, and more. Serum Particles is inspired by modern game and film scores like Mass Effect 2, Ghost in the Shell, Tenet, The Division 2, Deus Ex, and is full of cinematic and modern electronic sounds.

This is undoubtedly our best Serum sound pack yet and makes good use of the noise engine for unique soundscapes, textures, and pads. There's a total of 75 new Serum presets in 6 categories including, 20 evolving soundscapes and textures, 15 aggressive basslines, 15 cinematic sequences, 10 huge ambient pads, 10 dynamic keys, and 5 cutting synth leads. Also included in this Serum expansion pack are 42 audio samples for the noise engine, 22 LFO shape presets, 10 custom wavetables, and 8 presets for the delay effect.

This Serum content pack is suitable for a wide range of electronic music genres including, cyberpunk, darkwave, synthwave, film score, game score, cinematic soundscape, ambient, and many more.

Intro Price: £17.49 / 30% off until the end of September 2022 (RRP £24.99). You can also get an extra 30% off orders over £39 at newloops.com.

Free demo presets are available at https://newloops.com/products/particles-serum-presets-expansion"

Thursday, July 28, 2022

Korg Wavestate 2: Ambient Jam. 50 Presets/Performances (Pad, Strings, Textures)


video upload by Anton Anru

"'Ambient Jam' is a collection of 50 performances for Korg Wavestate.
It includes: 26 Pads, 15 Strings, 9 Textures.
The bank covers a wide range of atmospheric timbres: vintage/retro, lo-fi, tape-like, noisy, warm, deep, dreamy, soft, evolving, moving, massive, epic, bright, orchestral, cinematic, dark, distorted, cold, distant, metallic, tense, atonal, non-harmonic, fx-like, soundscape...
They will fit many genres, styles, arrangements, and mixes.

📻 Get the soundset: https://bit.ly/36FBL3S

Sunday, May 08, 2022

sonicPlanet - First Experiment with StarWaves



video uploads by sonicPlanet


video upload by Richard Devine

"StarWaves is an audiovisual sound architect, the embodiment of sound, space and visual design rolled into one. Presented by sonicPlanet www.sonicplanet.com, it is a move towards the next generation of sound design apps.

Available for OSX and iPad (Windows version later), minimum hardware requirements : for iOS an 2019 iPAD (8th gen or pro) or newer, for OSX a recent Mac (2019 i7 or M1)"

via the user manual on SonicPlanet:
StarWaves is an audiovisual scene architect, the embodiment of sound, space and visual design rolled into one.

StarWaves gives the sound designer the architect’s role by creating possibilities of dialogue between these multiple elements.

IN THE MAKING OF SONIC ARCHITECTURES
StarWaves can import the sonic material in its concrete form as recorded files. Then this digital data is being represented as 3D rigid physical forms in space. We name them “the platform blocks” distributed spatially, a structure which stems from the sonic material being imported. There can be 100s of them, reaching the granular levels of sonic material. The layout of the platforms can be designed with 3D tools like positioning, rotation; they can be stretched, bent, scattered along their physical dimensions in continuous transformations.

As Goethe wisely stated : the architecture itself is 'frozen music'. How do we interact with this architecture to create the sonic textures ?

We know that sound travels as waves in an environment. It originates from a source and travels towards a distance, then interacts with the surface material of the environmental objects, gets

SONICPLANETTM
reflected, refracted, and absorbed within all the physical reality of its nature, granting a flexible relation to spatiality.

Sound remains as a hidden existence until it reaches our body. StarWaves uses on its scene the transmitters which send particles and beams of light to the space ( reminiscent to particle behavior of light or sound ) They hit the platform blocks ( representing the sonic material ) get reflected and collide with further objects, travel in distance until they die.

The time they collide with these rigid bodies they trigger sonic events and start a flow of synthesis processes. It is this continuous kinematic interaction, this physical realm which composes the sonic being and applies continuous transformations on its texture.

Saturday, April 30, 2022

New OODA Sequencer for iOS


OODA Sequencer Testdrive video upload by Perplex On

"First little run with #oodasequencer going into a couple of #decentsampler instances and #purepiano. Served with particles. Enjoy. 😊"

OODA - Portable MIDI Sequencer by Ryan Robinson

video upload by e y l v y

OODA - NEW - Portable MIDI Step Sequencer - With Wormholes - Featuring SynthMaster 1 & 2 - For iOS
video upload by The Sound Test Room

And a few tutorials by the developer followed by full details:





Launch Party! Take 50% off OODA and ZOA for 72 hours.

OODA is a fresh take on the classic MIDI step sequencer with interactive and semi-generative enhancements.

What makes OODA unique is that you can connect arbitrary steps together using conditional “wormholes” to add structured (or random) variation to your sequences. Another unique feature is that OODA’s underlying model is decoupled from its voices. This allows you to interact with your sequences and create melodic variations in real time without affecting your groove.

OODA’s open-ended sequence grid can be easily configured for almost any use case. Anything from simple melodies and bass parts to semi-generative chords and arpeggios, OODA can do it all with a little creativity!

Friday, December 17, 2021

Aodyo Instruments Anyma Phi: Version 1.0 Sneak Peek


video upload by Aodyo Instruments

"This trailer shows some of the new features of the upcoming version 1.0 update for the Anyma Phi, the physical modelling synthesizer by Aodyo Instruments. Among the new features, you will find: drum trigger and timbre follower modulators, tools for paraphonic patches, granular processor, three exciters, snare drum resonator, internal arpeggiator, MIDI clock sync, microtuning support with onboard editor, patch randomizer, and much more.

Read more about the new features and download the public beta here: https://community.aodyo.com/topic/114... [captured below]

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modeling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal."

Monday, March 15, 2021

Soundsauca Roland JD-990 Demos

"1993 must have been a vintage year. The Roland Super JD-990 is a classic digital synth with character.

Though the light from it's near 30 year old LCD may be fading (Photoshop works wonders!), the JD is still a much loved synthesizer today."

Playlist:

1. JD Worship - Roland JD-990 Demo
Spreading the JD-990 love! A little tune I put together with my Roland JD990. No external FX.

Heaven's Horns - a hi-pass filtered horn patch which fizzes down, gradually breaking across the stereo spectrum.

Dark Energy - a disturbing string patch that undulates with ghostly undertones,

Electric Eel - puts the JD990 chaos lfo to use with very short delay FX adding metallic feedback,

Binary Rain - a beautiful patch that sounds like flickering particles - it sounds different every time I play it,

Flangie Angie - a tightly flanged arpeggio sound with velocity sensitive attack, it can sound soft or hard with the mod wheel, tight and loose with velocity,

Magic Clouds - providing the heft down below with thick analog style sweeps,

JD Worship - The inspiration! A classic lead sound with the mod wheel controlling the dry/wet mix of the JD990 effects,

Lunar Mining - A repeating phased noise effect,

JD-8000 - I always wanted to make a supersaw on the JD-990. I finally found the trick, typically after I had bought a JP-8080 :) It does a pretty good impression,

Hazy Freeze - I love this sound! A melancholic lead that morphs into swirling clouds of audio,

Jungle Drums - Snappy self-oscillated S/H filter sweeps create a percussive sound. The JD has these wonderful sample and hold LFOs that slightly soften (slew) the harsh filter transitions. Later JV/XV series synths don't sound like this. The resonance also doesn't blow a hole in your ear drum when up high (always useful!)
2. Roland JD-990 - Superluminal Patches
A collection of 64 finely crafted Roland JD-990 patches. Take the deep dive into the 990’s synthesis, hearing its classic history along with futuristic sound impressions.

Find out more here: https://www.soundsauca.com/sounds/sup...

Superluminal represents a collection of Roland JD-990 patches that showcase my journey programming this awesome synth. From the cosmic interlude of the patch “Superluminal” to some seriously epic pads such as “Vista Grande”, the JD still has what it takes in 2020!

Sometimes I have to remind myself that its existence pre-dates 1993, with the slider infested JD-800 from 1991 and the D-50 from 1987!

I won’t pretend to be the first to praise this synthesizer, as I know I’m walking in the footsteps of great sound designers, but in my own way I hope to contribute to the JD’s legacy. The Roland JD-990 is a timeless classic with hidden depths to it even decades later.

One of the true great digital synthesisers.

Roland SH-32 Shapeshifta Soundset


video by Soundsauca

"Shapeshifta for the Roland SH-32 features 64 luscious synth ambiences and rich analog strings. Trippy leads and sound effects mutate into ear bleeding slabs of weaponised audio.

Open that cupboard and grab that box, blow the dust off and wipe the early naughties from your Roland SH-32’s brain. With Soundsauca’s SH-32 life extension plan you too can inject some new sysex into this unappreciated little fella. Often maligned and misunderstood, the SH-32 is an experimental hybrid of a synthesizer.

Sometimes it feels like a long lost cousin of the JV/XV and JP8k series, other times it spits out D-50 and JD-990 memories. However the SH-32 is it’s own thing and I had a blast getting to know it again. As you might guess, I love the character of the SH-32. It has bags of personality, an enticing blend of lo-fi goodness and tripped out sonic vocabulary.

I hope you enjoy the Shapeshifta, please like and/or subscribe if you do - it sounds cliche, but it really does!

https://www.soundsauca.com/sounds/sha...​

Patch List:

Friday, May 22, 2020

E-RM Polygogo Stereo Polygonal Eurorack Oscillator


Published on May 22, 2020 Perfect Circuit

"What is a stereo polygonal oscillator? The E-RM Polygogo uses this form of synthesis developed just for this module. The screen shows a visual representation of the sound that the oscillator is generating. When smoother shapes appear on the screen the sounds are more calm and when there are lots of particles and jagged lines moving around the screen some harsh timbres come out of the oscillator.

The Polygogo has teeth and fold parameters to add harmonics, and it also has a built in FM modulator. There are lots of synthesis options in the Polygogo and the screen is always giving you feedback on what is happening with your sound.

Polygogo available here: https://www.perfectcircuit.com/e-rm-p...

00:00 - Intro
00:07 - raw oscillator sounds
01:51 - jam
02:48 - patch explanation
03:27 - sequenced patch
04:32 - more raw oscillator sounds
05:36 - another sequenced patch

#PerfectCircuit #Polygogo #Eurorack"

Friday, February 28, 2020

Black Octopus Sound - Event Horizon 3 (128 Presets for the John Bowen Solaris) by Toby Emerson


Published on Feb 16, 2020 Black Octopus Sound

http://johnbowen.com

This one was spotted and sent in via Soviet Space Child.

See my post on the upcoming V2.0 OS update.

"Get it here: https://blackoctopus-sound.com/produc...

Event Horizon 3 for the John Bowen Solaris has arrived. Created by Toby Emerson, this bank of 128 presets will take you on a journey of endless evolving pads, deep subsonic basses, cutting edge leads, nostalgic keys, and inspiring synth plucks. The sound capabilities of the Solaris are extremely deep, and Event Horizon 3 explores new sonic territories with the Solaris, utilizing some of its unique features such as rotors, amplitude modulation, feedback routing, wavetable modulation, Linear FM, and more. If you are looking for a huge bank of timeless and inspiring sounds for any genre of electronic music then look no further than Event Horizon 3 for the John Bowen Solaris – one of the greatest synthesizers ever made.

Wednesday, September 11, 2019

"Geophysical Vibrations" Morphagene Reels by Carmelo Pampillonio


Published on Sep 11, 2019 MAKEN0ISE
Update: Re-Published on Oct 16, 2019

"Carmelo Pampillonio's Geophysical Vibrations Morphagene Reels can be downloaded here:

https://freesound.org/people/makenois...

Check out Carmelo's other work here:
http://www.carmelopampillonio.info/

VLF
Our planet emits natural electromagnetic radio signals in the extremely-low-frequency and very-low-frequency (ELF/VLF) radio spectrum, which lies between 3Hz - 11kHz. These exceedingly long waves emanate from massive discharges in lightning storms, and from the solar wind lathing the magnetosphere with supercharged plasma particles, visible as aurora. Though some individuals may be sensitive to these electromagnetic waves, they are not typically considered to be audible, and so require a simple VLF radio receiver to transduce the signals.

Seismic
Seismic waves unfurl across the surface of the Earth at massive magnitudes over deep geologic time; their ripples slowly circumnavigating across the breadth of the entire planet multiple times before dimming out. The easiest way to transpose seismic waves into sound and render them audible to human hearing is to play them at a much faster speed via a time-frequency transform. I consider this, along with my work with VLF waves, to be documentary practices, where I leave the sounds completely raw and unedited to preserve the general characteristics of the vibrations as much as possible. The act of rendering these waves sensible requires an adjustment — or attunement — of our intuitions of time and scale to degrees which exceed what is generally considered normal and familiar. Conversions like this help us to slide up and down different spatiotemporal dimensions to consider things from varying viewpoints. They allow for a sort of perspectival superposition, where it’s both the sped-up time and the original, and neither nor. So, for me, this listening is part of a practice of long-term deep-geologic thinking, and it’s a practice that helps articulate our situatedness on the earth, and our entanglement within these large-scale nonhuman forces. It’s very much a process; a material working-out of the relations between entities and forces, and how we’re co-produced through these interactions. The pieces you hear here were sonified via the three-axis L-4 seismometer at the Pisgah Astronomical Research Institute (PARI), in Rosman, North Carolina.

Amphoric Resonances
Sighs, howls, drafts, gales, soughs, and hums… A study of the spaces in between.

EMF
The chaotic vibratory ecologies of electromagnetic fields emitted from all the technological instruments and interfaces involved in this project. These ambient broadband measurements were taken with various EMF sensors, where the discharges of imperceptible energies are rendered sensible as symphonic microsounds which impart the extent to which our surrounding spaces are not simply passive backgrounds. The art of magnetic field recording is intriguing precisely because it makes us privy to vibrations of an inhuman axis, making it a form of non-anthropocentric art."

Friday, August 02, 2019

Arpticles (new Mozaic preset) - DIY for iOS Audio App


Published on Aug 2, 2019 Bram Bos

"In the upcoming Mozaic update I'll add the new Arpticles preset: a hybrid between an arpeggiator and a particle generator:

Arpticles will generate a (configurable) stream of particles based on the MIDI notes that are played/held.

Obviously you can use this preset as a starting point for making even more sophisticated scripts if you like!"

iTunes: Mozaic Plugin Engine - Bram Bos

DIY for iOS music app:

"Create your own MIDI plugins: MIDI filters, generative music tools, basic sequencers, MIDI control panels, chaos experiments... Let your imagination take you places.

Mozaic runs inside your favorite AU MIDI host, and gives you practical building blocks such as LFOs, pre-fab GUI layouts, musical scales, AUv3 support (with AU Parameters, transport events, tempo syncing, etc.), random generators and a super-simple yet powerful script language. Mozaic even offers quick access to your device’s Tilt Sensors for expressive interaction concepts!

The Mozaic Script language is designed from the ground up to be the easiest and most flexible MIDI language on iOS. A language by creatives, for creatives. You’ll only need to write a few lines of script to achieve impressive things - or to create that uber-specific thing that was missing from your MIDI setup.

Check out the Programming Manual on Ruismaker.com to learn about the script language and to get inspiration for awesome scripts of your own.

Mozaic comes with a sizable collection of tutorials and pre-made scripts which you can use out of the box, or which can be a starting point for your own plugin adventures.

Features in a nutshell:
- Easy to learn Mozaic Script language: easy to learn, easy to read
- Sample-accurate-everything: the tightest MIDI timing possible
- Built-in script editor with code-completion, syntax hints, etc.
- 5 immediately usable GUI layouts, with knobs, sliders, pads, etc.
- In-depth, helpful programming manual available on Ruismaker.com
- Easy access to LFOs, scales, MIDI I/O, AU parameters, timers
- AUv3; so you'll get multi-instance, state-saving, tempo sync and resource efficiency out of the box

Mozaic opens up the world of creative MIDI plugins to anyone willing to put in a few hours and a hot beverage or two.

Practical notes:
- Mozaic requires a plugin host with support for AUv3 MIDI plugins (AUM, ApeMatrix, Cubasis, Auria, Audiobus 3, etc.)
- The standalone mode of Mozaic lets you edit, test and export projects, but for MIDI connections you need to run it inside an AUv3 MIDI host
- MIDI is not sound; Mozaic on its own does not make noise... so bring your own synths, drum machines and other instruments!
- AUv3 MIDI requires iOS11 or higher"

Thursday, May 16, 2019

Wavehole Approach to Granular Synthesis Using Xenakis Screens


For those interested, see here.

See here for previous posts featuring Xenakis and granular synthesis.

What or rather who is Xenakis? Via Wikipedia: Iannis Xenakis - "Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances."

From the site linked above:

"The wavehole approach to organising acoustic particles is an adaptation of the Xenakis screen. In Formalized Music Xenakis discusses various methods with which to organise grains of sound. A Xenakian screen is not unlike Gabor’s Matrix (1946). The representation is musical and interpreted differently from the theoretical signals presented in Gabor’s communications literature. The Xenakis screen (Fig.1), is a two dimensional grid which, exists in one moment of time."

If you look below you will see an image of multiple Xenakis Screens over time. The screens remind me of a mix of wavetable and granular synthesis. In a wavetable you have a table of multiple waveforms you can morph through. In granular synthesis you typically have a sample or audio you can morph through and manipulate over time either grabbing a "slice" of the audio or particular "grains" within a slice or slices of audio - almost like a hybrid of additive and subtractive synthesis but working with a given audio sample.

"Each cell of the screen grid, houses a silence or grain event. Thus, each screen can have, depending on its resolution, a sparse or dense population of grains. The population is referred to as a cloud. Each occupied cell has a frequency ∆F and gain ∆G parameter. A Xenakis cloud is the grouped grain topology in one screen at a given moment in ∆t as in Fig.2."

Wednesday, May 08, 2019

Tube by Sinevibes - Korg multi engine plugin


Published on May 8, 2019 Sinevibes


"Tube is an oscillator plugin for Korg’s multi engine. It couples a super-flexible noise generator with a feed-forward comb filter, a combination that we call “resonator modeling synthesis”. By modulating the noise density, the noise generator can create a very wide variety of signals such as bursts, gusts of air or sand, scratching, particles dropping onto a surface – and beyond. When these special signals are used to “excite” the resonator, Tube produces incredibly lively, nature-like tones: from woodwinds, plucked and bowed strings, to much more experimental, randomly evolving ones. Tube also features its own low-frequency oscillator, an envelope generator, and allows its noise signal to be used dry for even more sound design possibilities.

Sunday, April 14, 2019

between seasons


between seasons from ioflow on Vimeo.

"ambient improvisation for monome norns, ipad pro, oto bim, oto bam. semigenerative melodies and percussion patterns. weather shifts. clear skies. warm days and cool nights.

melodies, pads, and bass: five instances of audio damage phosphor 2. the main pad sound is also playing from mlr on norns; three copies running at various speeds and directions, with one pattern recorder per copy.

percussion: three instances of audio damage axon 2.

ipad: kymatica AUM is the host for all the AUv3 instruments and effects. the rozeta sequencer suite is used extensively to generate melodies and chords: three instances of collider and two instances of particles, along with various LFOs and arps to further mutate patterns and ranges. ipad audio tracks use several instances of audio damage plugins: roughrider 2, dubstation 2, and grind.

ableton live is used as a mixer + recorder, and also to send the ipad's melodic tracks to and from the oto bim + bam desktop fx units.

recorded april 13, 2019."

Monday, October 08, 2018

Tone Science Module No​.​2 Elements and Particles (DiN​:​TS02)




"Tone Science sub-label, from DiN records, continues to explore the world of modular synth music.

DiN was initially set up in 1999 by well known UK synthesist Ian Boddy to bridge the gap between the analogue music of his heritage and the emerging digital possibilities of the future. This label has always forged its own independent path and to date has released 56 physical CD albums as well as 21 download only releases.

Even after being involved in music since the late 1970’s Boddy has continued to explore new sonic territories and in 2016 he released what was probably his most experimental album in “Tone Science” (DiN48). This album comprised five long, slowly evolving self playing compositions realised entirely on his vast arsenal of modular synthesisers. Boddy’s love of the analogue sound has been well documented not only through his own releases but many sound and sample libraries. These instruments all but disappeared in the 1990’s but recent years has seen an unprecedented growth in interest in this form of synthesiser with a proliferation of both module manufacturers and performers using these highly flexible and personal systems.

Thus, inspired by his “Tone Science” release, Boddy has set up this sub-label to feature artists and performers working in the field of modular synthesis. The first release “Module No.1 Structure and Forces” was released in March 2018 and has garnered a lot of critical acclaim. This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.

The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and
 r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.

Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.

“Tone Science Module No.2 Elements and Particles” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.
credits
releases October 19, 2018

1. Todd Barton Floating World 8:41
This is an exploration of layering various timbres and textures, each having its own
diverse panning structure and speed. Performed on a Buchla Music Easel with a
TC Electronic Ditto x4 looper and TC T2 reverb.
toddbarton.com

2. Bluetech Magnetic Lullaby 6:36
Multitracked sequencers in long takes at different clock speeds to get a fractal layer of shifting melodies evolving at different rates with Strymon modulation at different times for complexity.
bluetechonline.com

3. Parallel Worlds Additive Procedure 5:56
Eurorack, Analogue Systems and Serge modular systems, using harmonics created via waveshaping/wavefolding & the Verbos Harmonic Oscillator & RS370/375 Polyphonic Harmonic Generator.
parallel-worlds-music.com

4. Paul Nagle Euneirophrenia 7:52
The peaceful state of mind after a pleasant dream. In this mellow polymetric excursion, Cirklon's CVIO juggles a Quadnic, NW1, Plonk, Rings and Plaits.
bogusfocus.com/pn/

5. Dave Bessell Overtone 6:37
Between two worlds, the technical and the theatre of the imagination, the apparently real and the obviously synthetic play hide and seek with your perception. Realised with an all analogue signal path, this is a study in waveguide physical modelling.
sites.google.com/site/davebessellmusic/home\

6. Richard Quirk Radar Hill 7:22
This track is taken from an ongoing collection of music based on abandoned radar stations. Created with an AJH Eurorack system along with a Voltage Multistage, Bark filter, Magneto delay, Radiomusic and a tube Echoplex.
richardquirkmusic.bandcamp.com

7. Hainbach Your Strange Glitter 5:02
Aiming for purity I focused entirely on the Ciat-Lonbarde Plumbutter, Sidrax and Cocoquantus. I wanted this piece to feel like “synthesizer music”, clear and shimmering, yet alien, not rooted in a real acoustic space.
hainbachmusik.com

8. Nathan Moody Prophet And Loss 5:02
This piece was created using a Buchla modular synthesizer (200 & 100 series modules) as a meditation on the false piety of tyrannical populists in the early 21st Century.
nathanmoody.bandcamp.com

9. r beny Marine Layer 7:02
Fog conjuring with Mutable Instruments Rings loops being processed by Orthogonal Devices ER-301, Mannequins Three Sisters, and Strymon Magneto.
rbeny.bandcamp.com


Total Time 60:24
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Follow-up to:
Tone Science Module No.2 Elements and Particles Demo Mix
Todd Barton Autumn Tour & New Release
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